![]() It is an example of shunga (Japanese erotic woodblock art) and has been reworked by a number of artists, such as Masami Teraoka, who brought the image up to date with his 2001 work "Sarah and Octopus/Seventh Heaven", part of his Waves and Plagues collection.Ī scholarly paper by Danielle Talerico showed that although western audiences often interpret Hokusai's famous design as rape, Japanese audiences of the Edo period would have viewed it as consensual. Īmong the most famous of the early instances is an illustration from the 1814 Hokusai book Kinoe no Komatsu, known as The Dream of the Fisherman's Wife. Some of the earliest examples of tentacle erotica were woodblock prints depicting women being violated by octopuses, such as Kitao Shigemasa's Programme of Erotic Noh Plays (1781) and Shunshō Katsukawa's Lust of Many Women on One Thousand Nights (1786). While most tentacle erotica is animated, there are also a few live-action films that depict it. ![]() In the 21st century, Japanese films of this genre have become recognized in the United States and Europe, although it remains a small, fetish-oriented part of the adult film industry. The genre is well known enough in Japan that it is the subject of parody. Tentacle erotica can be consensual but mostly contains elements of rape. ![]() It is found in some horror or hentai titles, with tentacled creatures (usually fictional monsters) having sexual intercourse, predominantly with females or, to a lesser extent, males. Tentacle erotica ( 触手強姦, shokushu goukan, "tentacle violation") or tentacle rape is a type of pornography most commonly found in Japan which integrates traditional pornography with elements of bestiality and a fantasy, horror, or science-fiction theme. La Grande danse macabre des vifs by Martin van Maële ![]()
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